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An interrogation of material where previous artworks are reconstructed and overlaid, akin to the method of pentimenti and palimpsest, to invoke the allegoric nature of myths and ancient stories in response to the force of climate change and the reality that all human acts have a cause and effect.
Photographed by Josh Wells.
Coinciding with the World Flying World Team Disc Golf Championships, and presented in partnership with the Mundaring Sporting Club, On Par explores the intersection between sport and art in a showcase of spectacular golf disc art by established disc artists ‘on par’ with invited Shire of Mundaring artists.
Photographed by Rebecca De Vries.
Please note, all works are 21 - 22 cm in diameter unless otherwise stated. All measurements in cm. h x w x d
*PCAD - ProChemical & Dye
Alongside a team of artists from across Australia, Half Time celebrates the unifying power of footy. Delving into thought-provoking inquiries, the exhibition ignites an important and timely dialogue on the diverse roles sport plays within our communities.
Photographed by Rebecca De Vries.
Inspired by the encounter and exchange of deep time, geological forces, and the Anthropocene, Mélange presents an extraordinary feast infused with parallel meanings and rich metaphorical associations. Incorporating the languages of fibre, earth, stitch, dye, and ephemeral layers of voice, video, and performance, underFOOT artists conceptually draw on the Darling Fault to adapt craft knowledge and slow-making in a contemporary world.
Photographed by Rebecca De Vries.
Drawing Space is an exhibition of works on paper that provides an experience of viewing that is unhindered by narrative. Each work depicts a sphere, or spheres, and a horizon line only, and they, along with the marks of the medium, become the tools with which to negotiate the complexities of space, time and the emotive power of colour and image.
Please note, all works are Inktense pencil on 300gsm Artistico paper (100% cotton) unless otherwise noted. All dimensions include frames.
Images courtesy of artist.
Slow-making is a practice rooted in long-term relationships with making. It involves nurturing connections with people, materials, and skills while caring for the environment. Cultivation encompasses skillful preparation, growth, and improvement of various aspects.
Photographed by Daniel Grant.
The Sum of Us celebrates the work of a group of students brought together by a botanical art course in Perth with artist and fellow student Margaret Oversby. The group continued to meet with Margaret arranging sessions in Bullsbrook to allow the pursuit of their passion and exploration of various styles of botanical art. Margaret has since passed away. This exhibition acknowledges her role in the formation of this diverse, supportive, and talented group, with a selection of her works on display.
Partners in life, artists Hans Arkeveld and Joan Johnson are quite disparate in their work practices and use of materials. Whilst Hans’ figures and materials are classic and solid, Joan’s are contemporary, light and translucent - but both are interlaced with a quirky sense of humour and wry questioning of personal and societal values.
In this exhibition, their differences are united in the common usage of an iconic, historically loaded symbol - the wheel - the vehicle by which their ideas have been transposed from one to the other, enabling subtle shifts in their artistic output.
